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The class that changed me: Curtis Stewart ÌÇÐÄ´«Ã½™08, ÌÇÐÄ´«Ã½™08E

The Grammy nominee recalls the violin lessons at Eastman that at once terrified and inspired him.

Violinist Curtis Stewart leaps joyfully while dressed in a tuxedo and holding his violin and bow.
THE MUSIC MAN: Since graduating with degrees in mathematics and violin performance, Curtis Stewart ÌÇÐÄ´«Ã½™08, ÌÇÐÄ´«Ã½™08E has racked up seven Grammy nominationsÌÇÐÄ´«Ã½”including a 2026 nod for best classical instrumental solo. (Photograph by Titilayo Ayangade)

EditorÌÇÐÄ´«Ã½™s note: This story was originally published online on December 1, 2025. It has been updated to highlight an August 2026 New York Times story about StewartÌÇÐÄ´«Ã½™s newest album, 24 American Caprices.

As a dual degree student majoring in mathematics and violin performance, ÌÇÐÄ´«Ã½™08, ÌÇÐÄ´«Ã½™08E was used to challenging coursework. But no class at URochester impacted or challenged him more than his weekly violin lessons with the late , an internationally acclaimed soloist and violin professor at Eastman.

ÌÇÐÄ´«Ã½œEach week, youÌÇÐÄ´«Ã½™re one-on-one with this luminary violinist, and your self-esteem rides on her mood that day,ÌÇÐÄ´«Ã½� says Stewart, a seven-time violinist and composer and a professor at the Juilliard School in New York. ÌÇÐÄ´«Ã½œMy hands would be trembling before every session.ÌÇÐÄ´«Ã½�

Stewart says Blakeslee, who died in 2015, wasnÌÇÐÄ´«Ã½™t shy about expressing her feelings. ÌÇÐÄ´«Ã½œIf she didnÌÇÐÄ´«Ã½™t like it, she told you. But if she loved it, sheÌÇÐÄ´«Ã½™d get very excited. She thrived on improvisation. One time, I suggested I couldnÌÇÐÄ´«Ã½™t be that creative. She looked me dead in the eye and said, ÌÇÐÄ´«Ã½˜DonÌÇÐÄ´«Ã½™t ever say that about yourself. You can do whatever you want.ÌÇÐÄ´«Ã½™ÌÇÐÄ´«Ã½�

Soon after, Stewart performed a version of an Astor Piazzolla tango instead of the usual classical piece. ÌÇÐÄ´«Ã½œBlakeslee loved it,ÌÇÐÄ´«Ã½� he says. ÌÇÐÄ´«Ã½œIt was the most excited I ever saw her get.ÌÇÐÄ´«Ã½� Stewart says the weekly sessions made him a better musician and teacher. ÌÇÐÄ´«Ã½œThe searing feedback made me practice harder, but it also sometimes made me play worse, because I was so afraid. In my own teaching, I try to be as honest as I can while making sure the student doesnÌÇÐÄ´«Ã½™t want to run away. ItÌÇÐÄ´«Ã½™s a balancing act.ÌÇÐÄ´«Ã½�

Stewart has performed at Carnegie Hall, Lincoln Center, and the Kennedy Center and serves as artistic director of the . He was also the featured speakerÌÇÐÄ´«Ã½”and a performerÌÇÐÄ´«Ã½”at in May. ÌÇÐÄ´«Ã½œTalk about surreal,ÌÇÐÄ´«Ã½� he says. ÌÇÐÄ´«Ã½œI was playing at convocation, and all of my old teachers were sitting behind me.ÌÇÐÄ´«Ã½�

His message to graduates mirrored BlakesleeÌÇÐÄ´«Ã½™s advice years before: Never sell yourself short. ÌÇÐÄ´«Ã½œI applied to so many things in college,ÌÇÐÄ´«Ã½� he says, ÌÇÐÄ´«Ã½œand didnÌÇÐÄ´«Ã½™t get a lot of them. But that didnÌÇÐÄ´«Ã½™t define me. I feel like my career is meaningful. No matter what you feel [now], your future is in front of you. You came from a great school, and you can build a meaningful career as well.ÌÇÐÄ´«Ã½�


This story appears in the fall 2025 issue of Rochester Review, the magazine of the ÌÇÐÄ´«Ã½.

Portrait of Curtis Stewart holding a violin, lit dramatically against a reddish background with soft shadowed text.
In the headlines

For new violin caprices, he turned to Nina Simone and Kendrick Lamar

In June 2026, the violinist and composer Curtis Stewart ÌÇÐÄ´«Ã½™08, ÌÇÐÄ´«Ã½™08E released a recording of his 24 American Caprices for solo violin. It is inspired by music that, he says, has ÌÇÐÄ´«Ã½œdefined my American experience.ÌÇÐÄ´«Ã½�