ÌÇÐÄ´«Ã½

Skip to content
From the Magazine

Eastman scores

ITÌÇÐÄ´«Ã½™S GOT SWING: Duke Ellington collaborator HendersonÌÇÐÄ´«Ã½™s original score of ÌÇÐÄ´«Ã½œThat Doo-Wah Thing,ÌÇÐÄ´«Ã½� his arrangement of EllingtonÌÇÐÄ´«Ã½™s classic ÌÇÐÄ´«Ã½œIt DonÌÇÐÄ´«Ã½™t Mean a Thing (If It AinÌÇÐÄ´«Ã½™t Got that Swing),ÌÇÐÄ´«Ã½� is housed at the Eastman School of MusicÌÇÐÄ´«Ã½™s Ensemble Library, courtesy of music educator Luther Henderson III ÌÇÐÄ´«Ã½™71E, ÌÇÐÄ´«Ã½™73E (MM). (ÌÇÐÄ´«Ã½ photo / J. Adam Fenster)

Luther Henderson III ÌÇÐÄ´«Ã½™71E, ÌÇÐÄ´«Ã½™73E (MM) chooses EastmanÌÇÐÄ´«Ã½™s Ensemble Library as home for his fatherÌÇÐÄ´«Ã½™s Duke Ellington arrangements.

Henderson in coat and tie seated with bookshelves in background.
HONORING A FATHER: ÌÇÐÄ´«Ã½œMy dad was so impressed by Eastman,ÌÇÐÄ´«Ã½� says Henderson III. The son of the famed orchestrator and arranger is a professor emeritus of music and humanities at Los Angeles City College, a Los Angeles real estate broker, and a former orchestrator and arranger at both the Grammy and Emmy Awards. (Kerry Lubman)

Early in 1970, famed musical director and orchestrator Luther Henderson Jr. brought his new show, Purlie, to the at the ÌÇÐÄ´«Ã½. The musical was soon to open on Broadway, and Henderson chose to iron out the kinks at the school where his son, Luther Henderson III ÌÇÐÄ´«Ã½™71E, ÌÇÐÄ´«Ã½™73E (MM), was a student.

Testing a Broadway show in an out-of-town venue was a common practice, and often the conductor had to simplify parts for the less experienced orchestra. But this orchestra was composed of Eastman faculty members.

Henderson III recalls his dad telling him the next day, ÌÇÐÄ´«Ã½œyouÌÇÐÄ´«Ã½™re going to a better music school than I did. And I went to Juilliard.ÌÇÐÄ´«Ã½�

Henderson III is a professor emeritus of music and humanities at Los Angeles City College. After Eastman, he earned a doctor of musical arts in orchestra conducting at the University of Texas at Austin and embarked on a career in music education.

His father, who died in 2003, grew up in the Sugar Hill section of Harlem, where his neighbor was the legendary jazz pianist and composer Duke Ellington. Henderson Jr. became friends with EllingtonÌÇÐÄ´«Ã½™s son, Mercer, who also went on to Julliard.

In adulthood, Henderson Jr. would work closely with Ellington on projects, and Ellington often referred to Henderson Jr. as his ÌÇÐÄ´«Ã½œclassical arm.ÌÇÐÄ´«Ã½� Among those projects were arrangements of EllingtonÌÇÐÄ´«Ã½™s compositionsÌÇÐÄ´«Ã½”scores that Henderson III kept and donated to Eastman last fall.

The collection, housed in the , includes 11 songs from the 2000 album Classic Ellington. The songs were composed by Ellington and arranged and orchestrated by Henderson Jr. to commemorate EllingtonÌÇÐÄ´«Ã½™s 100th birthday in 1999. They include ÌÇÐÄ´«Ã½œThat Do-Wah Thing,ÌÇÐÄ´«Ã½� ÌÇÐÄ´«Ã½œSolitude in Transblucency,ÌÇÐÄ´«Ã½� ÌÇÐÄ´«Ã½œSophisticated Lady,ÌÇÐÄ´«Ã½� and ÌÇÐÄ´«Ã½œIsfahan.ÌÇÐÄ´«Ã½�

Henderson Jr. and singer rehearsing "Ain't Misbehaving.'
CLASSICAL ARM, JAZZ MASTER: Henderson Jr., EllingtonÌÇÐÄ´«Ã½™s ÌÇÐÄ´«Ã½œclassical arm,ÌÇÐÄ´«Ã½� also worked on more than 50 Broadway productions, including a 1988 revival of AinÌÇÐÄ´«Ã½™t MisbehavinÌÇÐÄ´«Ã½™, in which he was pianist, orchestrator, arranger, and musical supervisor. (New York Public Library)

Henderson III also donated his fatherÌÇÐÄ´«Ã½™s award, bestowed shortly before the elder HendersonÌÇÐÄ´«Ã½™s death, to Eastman.

EastmanÌÇÐÄ´«Ã½™s Ensemble Library collection includes more than 20,000 items in fields such as orchestra, band, choral, and jazz. But the Henderson collection is different and special, says chair .

ÌÇÐÄ´«Ã½œThereÌÇÐÄ´«Ã½™s just not generally a lot of orchestra music produced in a jazz setting,ÌÇÐÄ´«Ã½� he says. ÌÇÐÄ´«Ã½œThe fact that itÌÇÐÄ´«Ã½™s produced by the father of an esteemed alumnusÌÇÐÄ´«Ã½”and itÌÇÐÄ´«Ã½™s Duke Ellington music arranged for an orchestraÌÇÐÄ´«Ã½”makes it extra special. Students will be able to study the details of this great work and have access to it. ItÌÇÐÄ´«Ã½™s a significant donation.ÌÇÐÄ´«Ã½�


This story appears in the fall 2024 issue of Rochester Review, the magazine of the ÌÇÐÄ´«Ã½.