���Ĵ�ý

The latest addition to our Reviews section is a piece by Peter Biello on Guys Like Me by Dominique Fabre, translated by Howard Curtis and out from New Vessel Press.

Here’s the beginning of Peter’s review:

We all know Paris, or at least we think we know it. The Eiffel Tower. The Latin Quarter. The Champs-Élysées. The touristy stuff. In Dominique Fabre���Ĵ�ý�s novel, Guys Like Me, we���Ĵ�ý�re shown a different side of Paris: a gray, decaying side that reflects, more than anything else, the emotional state of the storyteller, an unnamed narrator still reeling from his divorce many years ago.

The novel begins as the narrator runs into an old friend, Jean, whose life has similarly stalled. With a wink and a nod they resume the friendship that they had lost years ago. We���Ĵ�ý�re also introduced to Marco, or Marc-André, who, along with Jean, becomes the third member of this sad band of rapidly-aging, aimless men. As the novel unfolds, we learn about the narrator���Ĵ�ý�s divorce from Anaïs, and the painful estrangement from his son, Benjamin.

Early in the novel, we learn the great extent to which the narrator���Ĵ�ý�s mind torments him. ���Ĵ�ý�Since my separation, I haven���Ĵ�ý�t had a real love affair,���Ĵ�ý� the narrator tells us. ���Ĵ�ý�I don���Ĵ�ý�t have the strength for it anymore, I kept telling myself. But why would I need strength? How the time passes . . . Quite often, my thinking stops there, and I try to sleep immediately afterwards, because I really don���Ĵ�ý�t know what���Ĵ�ý�s waiting for me if I keep thinking.���Ĵ�ý� What little hope remains in his heart he���Ĵ�ý�s found in the novels of F. Scott Fitzgerald, who once said there are no second acts in American life. ���Ĵ�ý�There are no second acts,���Ĵ�ý� the narrator says. ���Ĵ�ý�But I still believe there are, from time to time.���Ĵ�ý�

For the rest of the review, go here.