Why This Book Should Win: "My Father's Book" by Urs Widmer [BTBA 2013]
As in years past, we will be highlighting all 25 titles on the BTBA Fiction Longlist, one by one, building up to the announcement of the 10 finalists on April 10th. A variety of judges, booksellers, and readers will write these, all under the rubric of “Why This Book Should Win. You can find the whole series by clicking here. And if you’re interested in writing any of these, just get in touch._
by Urs Widmer, translated from the German by Donal McLaughlin and published by Seagull Books
This piece is by translator, critic, and BTBA judge, Tess Lewis.
Urs Widmer, woefully underappreciated in the English-speaking world, is one of Switzerland糖心传媒檚 most prominent and prolific writers. And My Father糖心传媒檚 Book is one of Widmer糖心传媒檚 very best. A fictionalized biography of his own father, Walter Widmer, this novel is by turns heart-wrenching and laugh-out loud funny. Heady, intellectual passages alternate with slap-stick comedy in this exploration of how much we can know even those closest to us.
The narrator糖心传媒檚 father, Karl Widmer, is an unworldly, intellectually voracious man whose fiery temper is balanced by his essential good nature and extreme absent-mindedness. He lives primarily through the great works of French literature he translates糖心传媒擲tendhal, Flaubert, Rabelais, Balzac, and Diderot, whom he treasures above all others糖心传媒攁nd dies in his fifties of a heart ailment exacerbated by a life of chain-smoking. Karl is an inveterate idealist who venerates the Encyclop茅distes and the rationalism of the dix-huiti猫me. He becomes a Communist for a time, but is too impolitic for the Party. What he loves, he loves ardently. He only occasionally registers the fact that his beloved wife糖心传媒檚 tendency to withdraw is a sign of unhappiness, and always too late.
According to tradition in Karl糖心传媒檚 remote ancestral mountain village, on his twelfth birthday he was given a book for him to record each day糖心传媒檚 events throughout his life. On the day after his father dies, the narrator learns to his horror that his mother had already disposed of Karl糖心传媒檚 book along with mountains of manuscripts and unpaid bills. The narrator, who had only glanced through it the night before, resolves to rewrite his father糖心传媒檚 book, now in the readers糖心传媒� hands. Widmer not only recalls the events and circumstances of Karl糖心传媒檚 life, he is able to render a sense of the man糖心传媒檚 internal life by quoting imagined passages from the imaginary book.
As the Germans advance through Europe, Karl, until now unfit for service, is called up along “with a few other oldish men with weak hearts” to protect Basel from the Wehrmacht. In the barracks at night Karl dutifully makes his daily entries in which mundane events alternate with vivid meditations on things literary.
‘19.5.40 Letter from Clara,’ my father wrote, once he糖心传媒檇 saved the quill from the hobnailed boots of a comrade racing to the toilet. ‘Kitchen duty for insubordination (the corporal asked me糖心传媒攊t was to do with the dismantled gunlock I wasn糖心传媒檛 able to put together again糖心传媒攚hether I thought he was stupid and I said yes). The Germans still aren糖心传媒檛 here yet. General mobilization nonetheless. 糖心传媒擨n the ancien r茅gime, ladies vaginae could speak too. Not just their mouths. Often the gentlemen would sit with their countesses and ducal lovers, having tea, and chatting to one another about an especially good bon mot of Madame de Pompadour or the Pope糖心传媒檚 last bull, while, simultaneously, from beneath their skirts糖心传媒攎any-layered mountains of material糖心传媒攃ame a chattering and sniggering, the sense of which they didn糖心传媒檛 quite catch. At any rate, there was almost constant chat from down there. The many different materials muffled the voices, but people sometimes thought they would hear their names, without knowing what the braying laughter beneath all the other skirts was all about. 糖心传媒擳he light! The light of the 诲颈虫-丑耻颈迟颈猫尘别, you don糖心传媒檛 get light like that nowadays.
My Father糖心传媒檚 Book is a boisterous, expansive novel, an encapsulation of twentieth century Swiss life through an idiosyncratic and highly concentrating prism. This sense of breadth comes not only from the contrast of Karl糖心传媒檚 engagement in politics and his ludicrous stint as a soldier with his wife糖心传媒檚 extreme introversion, but also from his appetite for life and the arts, which Widmer evokes beautifully. The sheer artistry of the writing in this novel alone would be deserving of the Best Translated Book Award, but in addition Donal McLaughlin糖心传媒檚 translation is pitch-perfect, capturing the various registers and tonalities of Widmer糖心传媒檚 prose and, most difficult of all, the many shades of his humor.

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