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The latest addition to our Reviews Section is a piece by Sarah Winstein-Hibbs on Liliana Heker’s The End of the Story, which is translated from the Spanish by Andrea G. Labinger and is available from .

As Sarah states in her introduction, this is her first book review for threepercent!

Here is part of her review:

Sparking major controversy in its home country upon publication in 1996, Liliana Heker���Ĵ�ý�s The End of the Story chronicles the atrocity of the Argentinean ���Ĵ�ý�Dirty War���Ĵ�ý� not on the grand scale of historical generalization, but on the infinitely more stunning and painful level of personal tragedy. The story is told through the overlapping narratives of three women: revolutionary-turned-mutineer, Leonora; her frustrated biographer and childhood confidante, Diana Glass; and Hertha Bechofen, a cynical writer and Austrian refugee. It���Ĵ�ý�s often unclear who is narrating the story, and by the end it becomes evident that the piece is metafiction taken to a whole new level: The End of the Story is not just Diana���Ĵ�ý�s story about Leonora, it���Ĵ�ý�s Bechofen���Ĵ�ý�s story of Diana writing about Leonora. But the predicament of perspective doesn���Ĵ�ý�t end there. Parents and children, torturers and victims, believers and cynics all have a voice in this novel as Heker peppers the already-potent mixture with a host of polemical, conflicting viewpoints. And as Heker describes Leonora���Ĵ�ý�s torture and defection, Diana���Ĵ�ý�s hope and disenchantment, and Bechofen���Ĵ�ý�s sage understanding, she leaves us guessing, refusing to fully identify herself with any one point of view. However, if we try to conflate Heker with a character or voice, we���Ĵ�ý�ve missed the point entirely: the book constitutes a reaction against ideology itself, by very nature of its multifaceted storytelling.

Click here to read the entire review.