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This week’s title is Three Messages and a Warning: Contemporary Mexican Short Stories of the Fantastic, edited by Eduardo Jimenez Mayo and Chris N. Brown, with an introduction from Bruce Sterling. This will be officially available from Small Beer Press is bringing this out in late-January, but it can be

Here’s the description from Small Beer’s website:

This huge anthology of more than thirty all-original Mexican science fiction and fantasy features ghost stories, supernatural folktales, alien incursions, and apocalyptic narratives, as well as science-based chronicles of highly unusual mental states in which the borders of fantasy and reality reach unprecedented levels of ambiguity. Stereotypes of Mexican identity are explored and transcended by the thoroughly cosmopolitan consciousnesses underlying these works. It is a landmark of contemporary North American fiction that deserves a wide readership.

And we actually ran a review of this by Sara Cohen back near Halloween. (Too fitting, no?) Here’s what she had to say about the two stories that you can read

���Ĵ�ý�Photophobia,���Ĵ�ý� by Mauricio Monteil Figueiras.

You can tell from the start that ���Ĵ�ý�Photophobia���Ĵ�ý� is more sophisticated than most stories in this collection���Ĵ�ý�the vocabulary is complex, the concept unquestionably cerebral. An apocalyptic narrative is told through stream-of-consciousness storytelling that cleverly distracts from the story���Ĵ�ý�s premise until the ending begins to shed some light on the narrator���Ĵ�ý�s purpose and motives. The tale stands out in this populist collection of stories like a sore thumb, but I���Ĵ�ý�m glad it was included. Here is a typical (and excellent) sentence:

“Eternity, he thought, pocket apocalypses: man has not learned the lessons of history, he is still the ignorant student who recorded his confusion in the caves of Altamira���Ĵ�ý�it���Ĵ�ý�s just that the caves have become tabloids.”

���Ĵ�ý�The Drop���Ĵ�ý� by Claudia Guillén.

In ���Ĵ�ý�The Drop,���Ĵ�ý� a depressed young woman refuses to leave her room, watching drops of water fall to the floor. Her mother (the stated villain of the piece) claims that if the dripping stops, her child will die. A visiting doctor learns about himself as he studies the girl. That���Ĵ�ý�s it, the entire premise. But the story is well-told, the ending surprising, and it���Ĵ�ý�s the kind of eerie tale that sticks with you.

Again, for the complete preview, and click here for Sara’s review. And then, if you like what you read,

All of the past RTN featured titles can be