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The Arts

International Theatre Program presents its first ÌÇÐÄ´«Ã½˜devisedÌÇÐÄ´«Ã½™ work

Samantha Richardson '19 on stage at Todd Theatre with a projection of Sadiya Omar, a Somalian refugee. This spring's production of We Don't Live on Mars Yet focuses on immigration, sanctuary, and the meaning of home. (ÌÇÐÄ´«Ã½ photo / J. Adam Fenster)

The spring production We DonÌÇÐÄ´«Ã½™t Live on Mars Yet never started out as your typical theater production. ItÌÇÐÄ´«Ã½™s whatÌÇÐÄ´«Ã½™s called a devised work ÌÇÐÄ´«Ã½” a new approach for the University of RochesterÌÇÐÄ´«Ã½™s

ÌÇÐÄ´«Ã½œA devised work means different things to different people,ÌÇÐÄ´«Ã½� says Talya Chalef, a South African-Australian interdisciplinary artist who was commissioned by the theater program to develop this premiere work in collaboration with Rochester students. ÌÇÐÄ´«Ã½œYouÌÇÐÄ´«Ã½™re essentially a playwright and a theater maker,ÌÇÐÄ´«Ã½� she says. ÌÇÐÄ´«Ã½œBut youÌÇÐÄ´«Ã½™re also a performer.ÌÇÐÄ´«Ã½�

During ÌÇÐÄ´«Ã½œrehearsals,ÌÇÐÄ´«Ã½� Chalef presents the students with materials researched beforehand and takes the students through a series of workshops where they might write, or create movements, games, and songs, or even use puppets, as a way to express whatÌÇÐÄ´«Ã½™s in the materials. ÌÇÐÄ´«Ã½œYou sit down collectively as a group and look at what you have. Then you start to script, and then you sequence it, and then it becomes a conversation,ÌÇÐÄ´«Ã½� she says.

ÌÇÐÄ´«Ã½œThis is probably one of the coolest things IÌÇÐÄ´«Ã½™ve ever done,ÌÇÐÄ´«Ã½� says Matalin Collins ÌÇÐÄ´«Ã½™19. In the beginning, the environmental studies major, whoÌÇÐÄ´«Ã½™s been part of past productions at Todd Theater, admits she was nervous about not having a solid script as the ensemble began to meet. But as time went by, she saw the value in bringing people together to generate ideas and create something new. ÌÇÐÄ´«Ã½œIÌÇÐÄ´«Ã½™ve learned a lot about myself and about creating art and theater,ÌÇÐÄ´«Ã½� she says.

When Chalef first came to Rochester, she had no idea what the final piece would be. But the director and artist, now based in Brooklyn, New York, knew she wanted the work to be connected to social justice.

ÌÇÐÄ´«Ã½œThere is so much going on right now, itÌÇÐÄ´«Ã½™s quite easy to get overwhelmed,ÌÇÐÄ´«Ã½� says Chalef, who spent time last fall at the local Rochester archives and online to learn about the city.

actors on stage
Students researched and workshopped scenes together before scripting and building the final theatrical performance in this devised work, We Don’t Live on Mars Yet. (ÌÇÐÄ´«Ã½ photo / Tomas Waz ’20)

If you go:

Todd Theater at the University of RochesterÌÇÐÄ´«Ã½™s River Campus

Thursday, March 1 ÌÇÐÄ´«Ã½“ Saturday, March 3 @ 7 p.m.

Wednesday, March 7 ÌÇÐÄ´«Ã½“ Saturday, March 10 @ 7 p.m.

Matinée on Sunday, March 4 @ 2 p.m.

Directed by Talya Chalef
Set Design by Jung Griffin
Costume Design by Asa Benally
Lighting Design by Solomon Weisbard
Sound Design & Original Music by Christopher Ross-Ewart

Tickets are $15 for the general public. $12 for seniors (65+); also for ÌÇÐÄ´«Ã½ staff, faculty, and alumni; $8 for students.

As she learned of RochesterÌÇÐÄ´«Ã½™s status as a sanctuary cityÌÇÐÄ´«Ã½”as well as its large population of refugeesÌÇÐÄ´«Ã½”it got her wondering about the idea of home and what home means in the context of todayÌÇÐÄ´«Ã½™s political climate. ÌÇÐÄ´«Ã½œI wanted to explore what it means for the past and what it means for Rochester and its past ÌÇÐÄ´«Ã½“ whoÌÇÐÄ´«Ã½™s been here and whoÌÇÐÄ´«Ã½™s immigrated here. WhatÌÇÐÄ´«Ã½™s the make-up of the city?

ÌÇÐÄ´«Ã½œI gave the students the task of going through the materials and going through the motions of the play weÌÇÐÄ´«Ã½™ve put together. We asked: ÌÇÐÄ´«Ã½˜What does this mean? What is the function of this part in the play? What is it asking the audience to think about? Why put these things together?ÌÇÐÄ´«Ã½™ We talked about the best way to tell a story, and how to be a maker instead of just being a performer,ÌÇÐÄ´«Ã½� Chalef explains.

ÌÇÐÄ´«Ã½œIt opened up this world of creativity,ÌÇÐÄ´«Ã½� says theater major Sammi Richardson ÌÇÐÄ´«Ã½™19.  ÌÇÐÄ´«Ã½œI wasnÌÇÐÄ´«Ã½™t aware that this city had so much rich history,ÌÇÐÄ´«Ã½� she says, reflecting on the newspaper articles she read from the early 1880s and 1900s. ÌÇÐÄ´«Ã½œItÌÇÐÄ´«Ã½™s creates a whole story in your brain of the place that you live and the space that you occupy. IÌÇÐÄ´«Ã½™ve learned so much about where we live and the people who are from here.”

What should the audience expect to see? ÌÇÐÄ´«Ã½œThe script is images, words, and movements,ÌÇÐÄ´«Ã½� says Chalef. ÌÇÐÄ´«Ã½œThere are songs. This is a very musical team.ÌÇÐÄ´«Ã½�

Nigel Maister, the Russell and Ruth Peck Artistic Director of the International Theatre Program, says ChalefÌÇÐÄ´«Ã½™s approach is especially suited to getting students invested in the issues the performance raises.

ÌÇÐÄ´«Ã½œWhile itÌÇÐÄ´«Ã½™s important to engage the students with topics of social justice and refugees at this critical time, itÌÇÐÄ´«Ã½™s equally important that the students themselves are invested in these topics,ÌÇÐÄ´«Ã½� he says. ÌÇÐÄ´«Ã½œAnd thereÌÇÐÄ´«Ã½™s no better way to do that than by giving them ownership of the work theyÌÇÐÄ´«Ã½™re doing. A devised work is a very exciting and challenging way of doing that. It offers a different kind of theatrical experience to them.ÌÇÐÄ´«Ã½�