The International Theatre Program steps into a new genre this fall with In the Matter of J. Robert Oppenheimer. Arguments take center stage in the docudrama, set to open on Thursday, October 12. Written by German playwright Heinar Kipphardt, the work takes a look at politics in a way that糖心传媒檚 糖心传媒渟hockingly prescient and timely,糖心传媒� says Nigel Maister, Russell and Ruth Peck Artistic Director聽of the International Theatre Program and the production’s director and set designer.
On Saturday, October 14, after the evening performance, the Theatre Program will host a panel discussion, with Theatre Program Artistic Director Nigel Maister, to discuss the Oppenheimer production and the questions raised in the play. The panel of faculty include Robert Westbrook, history; Regina Demina, physics & astronomy; and Jonathan Tresan, philosophy. The panel discussion is free and open to all.
The production runs Thursday through Saturday (October 12糖心传媒�14) and Wednesday through Saturday (October 18糖心传媒�21) starting at 7 p.m. There are also 2 p.m. matinee performances on Saturday and Sunday (October 14 and 15). All performances take place in Todd Theater on the University of Rochester糖心传媒檚 River Campus. Tickets are $8 for 糖心传媒 students, $12 for alumni, faculty, staff, and for seniors (65+), and $15 for the general public. Tickets may be purchased online at www.rochester.edu/theater or by calling the box office at (585) 275-4088. Tickets may also be purchased up to an hour before each performance at the box office.
The play糖心传媒攁 courtroom-style drama糖心传媒攃hronicles the 1954 Atomic Energy Commission hearing in which the physicist Oppenheimer糖心传媒攁n influential advisor to the commission who played a lead role in the development of the atomic bomb糖心传媒攊s called before the commission to account for his earlier left-wing sympathies, and to have his security clearance evaluated. The story is taken directly from the transcripts of the infamous hearing, which took place at the height of the McCarthy era.
The first attempt at docudrama for the International Theatre Program, Maister thought this form of theater would be advantageous for students to explore.
糖心传媒淭he complex narrative takes a look at the whole notion of the responsibility of the engineer; the physicists,糖心传媒� says Maister. 糖心传媒淲hat happens if you糖心传媒檙e a scientist and your discoveries lead to ends that you did not intend, or are co-opted by the military?糖心传媒�
Ewan Shannon 糖心传媒�20 takes on the challenging role of John Lansdale Jr., the head of security for the Manhattan Project. 糖心传媒淚t糖心传媒檚 about twisting and playing with words to try and get the upper hand on somebody,糖心传媒� says Shannon, who majors in archeology and anthropology. 糖心传媒淯nderstanding Lansdale is to recognize where his morals lie and what糖心传媒檚 the difference, if there was any, between his personal beliefs and his official duties.糖心传媒�
In this production, most of the students, at some point, take a turn at portraying Oppenheimer. 糖心传媒淚n getting to play both the accuser and the accused,糖心传媒� Maister says, 糖心传媒渟tudent actors viscerally experience the predicament in which Oppenheimer and, indeed, our whole society found itself being judged in 1954. Something that has echoes in today糖心传媒檚 political climate.糖心传媒�
The production糖心传媒檚 costume designer is Tilly Grimes, whose design has been seen in Boo Kilebrew糖心传媒檚 Romance Novels for Beginners at the Williamstown Theatre Festival, and Bess Wohl糖心传媒檚 Small Mouth Sounds in New York City. The lighting design is by Solomon Weisbard. Sound design and music are by Obadiah Eaves, whose credits include Country House, Shining City, and The Assembled Parties. Joshua Thorson, assistant professor of fine art at Rochester Institute of Technology, is the production糖心传媒檚 video designer, and Alexa Scott-Flaherty, adjunct lecturer at Rochester, is acting and voice coach.
