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With ÌÇÐÄ´«Ã½˜Flight of Sites,ÌÇÐÄ´«Ã½™ students and faculty set choreography to campus architecture

Undergraduate students Catherine Ramsey (left) and Margaret Porcelli perform outdoors on the hill near Susan B. Anthony halls as part of the "Flight of Sites" concert. (ÌÇÐÄ´«Ã½ photo / J. Adam Fenster)

Flight of Sites: Dances in Innovative Spaces, a two-day concert featuring student and faculty choreography, offered both an outdoor and online audience experience.

Students and faculty in the at the ÌÇÐÄ´«Ã½ took dance on a tour of the River Campus in late October. Meanwhile, audience members could enjoy the performances live outdoors or .

Working with the teams in Event and Classroom Management and Wilson Commons Student Activities, the students and faculty assembled pieces that work with spaces the campus community sees and walks by every day. ÌÇÐÄ´«Ã½œWe have transformed them into art performance spaces,ÌÇÐÄ´«Ã½� says senior dance lecturer , who serves as the concertÌÇÐÄ´«Ã½™s director.

ÌÇÐÄ´«Ã½œThe enemy of art is the absence of limitations!ÌÇÐÄ´«Ã½� she says, repeating an Orson Welles quotation printed in the Flight of Sites program. ÌÇÐÄ´«Ã½œWe need limitation. It makes us push that creative core and say what do you got? If you canÌÇÐÄ´«Ã½™t do it this way how else can you do this? I just love their ÌÇÐÄ´«Ã½˜Yeah, we can do this!ÌÇÐÄ´«Ã½™ spirit. There are beautiful and rich thoughts going through the studentsÌÇÐÄ´«Ã½™ minds.ÌÇÐÄ´«Ã½�

The students, Wilcox notes, rose to the creative challenge. ÌÇÐÄ´«Ã½œThey rehearsed outside, even if it was 45 degrees outside. WeÌÇÐÄ´«Ã½™ve learned so much.ÌÇÐÄ´«Ã½�

Take a look back at the some of the Flight of Sites performances in action (and in situ):


Two dancers look at each other in front of Sage Art Center.
(ÌÇÐÄ´«Ã½ photo / J. Adam Fenster)

STEP BY STEP: On the steps of the Sage Art CenterÌÇÐÄ´«Ã½”the campus hub of studio arts and visual studiesÌÇÐÄ´«Ã½”roommates Margaret (Maggie) Porcelli ÌÇÐÄ´«Ã½™22 (pictured right) and Catherine Ramsey ÌÇÐÄ´«Ã½™21 perform ÌÇÐÄ´«Ã½œRed Hands.ÌÇÐÄ´«Ã½� Inspired by Emanuel XavierÌÇÐÄ´«Ã½™s poem ÌÇÐÄ´«Ã½œLegendary,ÌÇÐÄ´«Ã½� the collaborative creation focuses on the dynamics of connections.

ÌÇÐÄ´«Ã½œWe wanted to play with relationships and our relationship to the architecture of the space and see where we could go from there,ÌÇÐÄ´«Ã½� says Porcelli, a physics and dance double major. ÌÇÐÄ´«Ã½œThereÌÇÐÄ´«Ã½™s a staircase down the hill that drops down to Sage, and there are two benches in the back that are all cement. We were interested in seeing the effort that we could draw from the cementÌÇÐÄ´«Ã½”the strength and stability and using that in our movement,ÌÇÐÄ´«Ã½� she says.


Dancers clad in red pants and black tops perform amid pillars.
(ÌÇÐÄ´«Ã½ photo / J. Adam Fenster)

HIDDEN FIGURES: A quartet of dancers perform in front of Hoyt HallÌÇÐÄ´«Ã½”adjacent to the Eastman QuadÌÇÐÄ´«Ã½”in a piece titled ÌÇÐÄ´«Ã½œHidden Depths.ÌÇÐÄ´«Ã½� Dayana Segear ÌÇÐÄ´«Ã½™22 drew her inspiration from the words of writer Anais Nin: ÌÇÐÄ´«Ã½œWe donÌÇÐÄ´«Ã½™t see them as we are. We see them as we are.ÌÇÐÄ´«Ã½�

Segear, a double major in dance and psychology, worked with the spaceÌÇÐÄ´«Ã½”partially obscured by columnsÌÇÐÄ´«Ã½”to add a level of complexity to her piece, saying, ÌÇÐÄ´«Ã½œI thought it would be interesting to work with perception versus reality.ÌÇÐÄ´«Ã½� As the columns might block the view of some audience members, the perception of the performance changes for each viewer.


Students wear jeans and black tops while dancing on Wilson Commons porch.
(ÌÇÐÄ´«Ã½ photo / J. Adam Fenster)

JAZZ STAGE: Xinyuan (Tom) Yi ÌÇÐÄ´«Ã½™20, ÌÇÐÄ´«Ã½™22W (MS) presents an authentic jazz piece on the porch of Wilson Commons. The work features five students in a style of dance introduced in the Harlem community of the 1920s and 1930s. American composer and pianist Duke Ellington wrote ÌÇÐÄ´«Ã½œJump for JoyÌÇÐÄ´«Ã½� to portray African Americans positively on the stage.

ÌÇÐÄ´«Ã½œI wanted to do this because IÌÇÐÄ´«Ã½™m a huge jazz fan,ÌÇÐÄ´«Ã½� says Yi. ÌÇÐÄ´«Ã½œAlso, because of what was happening this summer; I was thinking of all the ways I could support the population being suppressed and that supporting this art would be a great way,ÌÇÐÄ´«Ã½� he says. The space also has a hard surface and can support the moves and style of the genre. ÌÇÐÄ´«Ã½œItÌÇÐÄ´«Ã½™s very rhythmic and a big part is the stomping and sliding.ÌÇÐÄ´«Ã½�


Circle of dancers perform on the Graham Smith Plaza under Rush Rhees Library.
(ÌÇÐÄ´«Ã½ photograph / J. Adam Fenster)

SHARED SPACES: ÌÇÐÄ´«Ã½œFor the first-year students, we chose a space in the hub of the University,ÌÇÐÄ´«Ã½� says Wilcox. ÌÇÐÄ´«Ã½œCommon GroundÌÇÐÄ´«Ã½� features six students and takes place on the grounds between Douglass and Wilson Commons. Faculty members Anne Wilcox, , and each met with the students and did a rehearsal. ÌÇÐÄ´«Ã½œWe built off the next person until we formed something that had a cohesive whole. We were really playing off the architecture of that space,ÌÇÐÄ´«Ã½� Wilcox says.


Two students dance on the sidewalk along the Genesee River.
(ÌÇÐÄ´«Ã½ photo / J. Adam Fenster)

GENESEE RIVERDANCE: The mutual joy of connecting with someone else is the theme of the work ÌÇÐÄ´«Ã½œThe Moment of Lift.ÌÇÐÄ´«Ã½� It was choreographed by Katherine Carnes ÌÇÐÄ´«Ã½™22 and features two students performing along the Genesee River to ÌÇÐÄ´«Ã½œConcierto Para Piano y Orquesta En Sol Mayor.ÌÇÐÄ´«Ã½�


A dancer mid-air and another on the ground as they ascend a hill.
(ÌÇÐÄ´«Ã½ photo / J. Adam Fenster)

RISE UP: In addition to student choreography, Flight of Sites features the faculty work ÌÇÐÄ´«Ã½œMay the Road Rise Up to Meet Us,ÌÇÐÄ´«Ã½� a quintet choreographed by Wilcox and performed on the hill near Susan B. Anthony Halls. ÌÇÐÄ´«Ã½œItÌÇÐÄ´«Ã½™s my exploration of how the hill can signify any personal struggle,ÌÇÐÄ´«Ã½� says Wilcox. ÌÇÐÄ´«Ã½œI see that there is so much that we have to endure and overcome, so the hill became a great metaphor.ÌÇÐÄ´«Ã½�


Drummers and dancers perform West African initiation dance on Eastman Quad.
(ÌÇÐÄ´«Ã½ photo / J. Adam Fenster)

SAVE THE LAST DANCE: ÌÇÐÄ´«Ã½œSoli & SorsonetÌÇÐÄ´«Ã½�ÌÇÐÄ´«Ã½”the closing celebratory danceÌÇÐÄ´«Ã½”was performed on the Eastman Quadrangle by Sansifanyi, the West African Dance and Drum Ensemble, under the direction of .


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