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New book explores ÌÇÐÄ´«Ã½˜ethical turnÌÇÐÄ´«Ã½™ of critical theory

Critical theorists Michel Foucault, Hayden White, Gayatri Spivak, and Richard Rorty. (University illustration / Julia Joshpe)

How did critical theoryÌÇÐÄ´«Ã½”a major area of inquiry for humanities scholars and social scientists in the late 20th centuryÌÇÐÄ´«Ã½”pivot from a narrowly focused investigation of meaning and text to a broad engagement with culture and politics?

That question is at the heart of a new book by , a professor of French and comparative literature. He examines iconic 20th-century philosophers, including Jean-Paul Sartre, Michel Foucault, Jacques Derrida, and Richard Rorty, as well as influential literary and cultural theorists, such as Claude Lévi-Strauss, Erich Auerbach, Hayden White, René Girard, and Edward Said.

DoranÌÇÐÄ´«Ã½™s own education influenced his selections. He studied under, or attended seminars with, four of the nine theorists about whom he writes: White, Girard, Derrida, and Rorty.

He could have titled his book ÌÇÐÄ´«Ã½œHow Theory Became Ethics,ÌÇÐÄ´«Ã½� he says.

Once ÌÇÐÄ´«Ã½œdenounced as amoral, nihilistic, and quietist, due to its ÌÇÐÄ´«Ã½˜relativist,ÌÇÐÄ´«Ã½™ ÌÇÐÄ´«Ã½˜textualist,ÌÇÐÄ´«Ã½™ and ÌÇÐÄ´«Ã½˜anti-subjectivistÌÇÐÄ´«Ã½™ bent,ÌÇÐÄ´«Ã½� critical theory also became ÌÇÐÄ´«Ã½œthe source of the ÌÇÐÄ´«Ã½˜political turnÌÇÐÄ´«Ã½™ in the humanities as well as a wellspring for liberal activists,ÌÇÐÄ´«Ã½� he writes.

Critical theory is a philosophical approach to understanding culture and society. Interdisciplinary in its areas of inquiry, itÌÇÐÄ´«Ã½™s particularly concerned with how people form knowledge and the kinds of power that underlie these formations. The groundwork for critical theory was laid by thinkers such as Immanuel Kant, with his considerations of how the mind structures knowledge, and Karl Marx, through his critique of capitalist culture. Intensely concerned with language and written texts, critical theory later became socially engaged, as well, in what Doran calls its political turn.

Doran locates critical theoryÌÇÐÄ´«Ã½™s emergence in 1960s France, with the early writings of philosophers Foucault and DerridaÌÇÐÄ´«Ã½”ÌÇÐÄ´«Ã½œtwo figures who have reconfigured the intellectual landscape in ways that are still being felt,ÌÇÐÄ´«Ã½� he writes. They did so in part by making Continental thoughtÌÇÐÄ´«Ã½”especially the thought of German philosophers Friedrich Nietzsche and Martin HeideggerÌÇÐÄ´«Ã½”more relevant to the broader humanities and social sciences.

By the late 19th century, scientific inquiry had taken philosophyÌÇÐÄ´«Ã½™s place in popular regard as the most elevated form of knowledge. Nietzsche and Heidegger challenged the magisterial presumptions of theoretical knowledge, arguing that the only knowledge attainable is interpretiveÌÇÐÄ´«Ã½”contingent and perspectival, rather than universal and ahistorical. This contention is at the root of what became critical theory.

In the United States and Britain, critical theory found a place in literature departments, where the path had been paved by New Criticism, a method of literary criticism based on the idea that meaning is found within texts themselves, not in external contexts, such as the authorÌÇÐÄ´«Ã½™s life or social history.

ÌÇÐÄ´«Ã½œ… and people were beginning to ask, what about the silence of the whole poststructuralist movementÌÇÐÄ´«Ã½”isnÌÇÐÄ´«Ã½™t that a problem? Where is the ethics in it?ÌÇÐÄ´«Ã½�

For French philosophers in the ÌÇÐÄ´«Ã½™60s, the main intellectual action was in structuralism, which approaches systems as the internal relation of their parts. In the 19th century, Swiss linguist Ferdinand de Saussure developed the field of structural linguisticsÌÇÐÄ´«Ã½”language, he argued, was a system built from the relationships between different kinds of linguistic signs. His work came to wider attention in the 1950s, when Claude Lévi-Strauss used it to develop ÌÇÐÄ´«Ã½œstructural anthropology.ÌÇÐÄ´«Ã½�

Just as American scholars were taking up structuralism, Derrida delivered a paper at a 1966 conference at Johns Hopkins that is widely regarded as ÌÇÐÄ´«Ã½œthe birth of Theory,ÌÇÐÄ´«Ã½� Doran writes. In ÌÇÐÄ´«Ã½œStructure, Sign, and Play in the Discourse of the Human Sciences,ÌÇÐÄ´«Ã½� Derrida offered a critique of structuralism that opened the way to poststructuralism, or ÌÇÐÄ´«Ã½œdeconstruction,ÌÇÐÄ´«Ã½� as it has come to be known. Interest in deconstruction reached a fever pitch in the 1980s. And then, dramatically, ÌÇÐÄ´«Ã½œthe fever broke in 1987,ÌÇÐÄ´«Ã½� Doran says.

That year brought two scandals: disclosures about HeideggerÌÇÐÄ´«Ã½™s connections with Nazism in the 1930s and the discovery of early anti-Semitic writings by the eminent deconstructive critic Paul de Man.

The revelations created a crisis for the basic orientation of critical theory. ÌÇÐÄ´«Ã½œHeidegger never apologized for his Nazi connections, never said anything about the Holocaust, was just completely silent about the whole thing,ÌÇÐÄ´«Ã½� Doran says. ÌÇÐÄ´«Ã½œSo you have HeideggerÌÇÐÄ´«Ã½™s silence and de ManÌÇÐÄ´«Ã½™s silence. And people were beginning to ask, what about the silence of the whole poststructuralist movementÌÇÐÄ´«Ã½”isnÌÇÐÄ´«Ã½™t that a problem? Where is the ethics in it?ÌÇÐÄ´«Ã½�

Out of that crisis came what Doran terms the ÌÇÐÄ´«Ã½œethical turnÌÇÐÄ´«Ã½� of critical theory. It was ushered in by critic Gayatri Spivak, who had studied under de Man at Cornell. She had also translated and introduced DerridaÌÇÐÄ´«Ã½™s most important work, Of Grammatology, a book that became required reading in US departments of English starting in the late 1970s and early 1980s. But with her landmark 1988 essay, ÌÇÐÄ´«Ã½œCan the Subaltern Speak?ÌÇÐÄ´«Ã½�ÌÇÐÄ´«Ã½”a consideration of power and its accessibilityÌÇÐÄ´«Ã½”Spivak helped to establish the field of postcolonial studies and thereby contributed to the introduction of an ethical and political dimension to critical theory. This effectively ended the ÌÇÐÄ´«Ã½œtextualistÌÇÐÄ´«Ã½� phase she herself had inaugurated with her translation of Of Grammatology.

The significance of the ethical subject, and of the author figure, which had been sidelined with the singular focus on the text, came roaring back into play. ÌÇÐÄ´«Ã½œPersonal experience and group identity become an index of theoretical authenticity. The death of the author gives way to a new kind of ÌÇÐÄ´«Ã½˜authority,ÌÇÐÄ´«Ã½™ÌÇÐÄ´«Ã½� Doran writes. ÌÇÐÄ´«Ã½œThe fact that Derrida was a Jew born in (French) Algeria and the fact that Foucault was a homosexual, facts that were considered philosophically irrelevant in the 1960s and 1970s, suddenly became salient after the political turn.ÌÇÐÄ´«Ã½�

So emphatic was the turn that it obscured critical theoryÌÇÐÄ´«Ã½™s origins: ÌÇÐÄ´«Ã½œThe transformation of Theory into an ethico-political discourse was so sudden, successful, and complete that it now appears to many as if Theory had always been conceived or understood as a socially committed or activist discourse,ÌÇÐÄ´«Ã½� Doran writes.

He argues that understanding theoryÌÇÐÄ´«Ã½™s evolution is critical. ÌÇÐÄ´«Ã½œA lot of people think of theory as a kind of toolboxÌÇÐÄ´«Ã½� for scholarship, he says. ÌÇÐÄ´«Ã½œYou take this and you take that [mode of analysis]ÌÇÐÄ´«Ã½”you take whatever seems to work for you. But these ideas came about at a particular time and have a particular meaning. You canÌÇÐÄ´«Ã½™t just take them willy-nilly out of context, and thatÌÇÐÄ´«Ã½™s what I try to rectify, to some extent, in this book.ÌÇÐÄ´«Ã½�

Since its heyday in the 1980s, critical theory has moved from center stage for scholars. But it hasnÌÇÐÄ´«Ã½™t disappeared, and Doran argues that it remains crucial. It has ÌÇÐÄ´«Ã½œbecome synonymous with the ethical and political questions that agitate our times,ÌÇÐÄ´«Ã½� he writes. His book, he says, is an ÌÇÐÄ´«Ã½œendeavor to understand how this happened.ÌÇÐÄ´«Ã½�