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The Arts

Artist Walid Raad to discuss war, art, and memory

artist's work
Walid Raad, Preface to the third edition_Édition française: Plate I, 2012. (Courtesy the artist)

Conceptual artist Walid Raad ÌÇÐÄ´«Ã½™96 (PhD), an associate professor of art at the Cooper Union for the Advancement of Science and Art, will be the third speaker in the , devoted this year to the theme of memory and forgetting.

Raad will speak on January 25 in the Hawkins-Carlson Room at Rush Rhees Library on the University of RochesterÌÇÐÄ´«Ã½™s River Campus.

Raised in Lebanon during its civil war, Raad is the creator of works in photography, video, collage, and multimedia installation that consider the role of memory and narrative in discourse about conflict. In 2015, the Museum of Modern Art hosted the first comprehensive American exhibition of his work. He has also had solo exhibitions at the Louvre and the Whitechapel Art Gallery in London, among other venues.

In his lecture, titled ÌÇÐÄ´«Ã½œArtist Talk,ÌÇÐÄ´«Ã½� Raad will introduce his two long-term and ongoing art projects, The Atlas Group (1989ÌÇÐÄ´«Ã½“2004) and Scratching on things I could disavow.

The Atlas Group is a fictional foundationÌÇÐÄ´«Ã½”invented by Raad, who calls himself the groupÌÇÐÄ´«Ã½™s archivistÌÇÐÄ´«Ã½”that documents the history of modern Lebanon.

In that project, Raad concentrates on documents, stories, and situations involving the Lebanese wars. In Scratching on things I could disavow, he considers the history of art in the Arab world.

In a 2016 New York Times review of RaadÌÇÐÄ´«Ã½™s Museum of Modern Art retrospective, Holland Cotter described Raad as investigating artÌÇÐÄ´«Ã½™s ability to shape history. He ÌÇÐÄ´«Ã½œshows art taking matters into its own hands,ÌÇÐÄ´«Ã½� Cotter wrote, ÌÇÐÄ´«Ã½œtemporarily shrinking and vanishing to sustain a radical life of its own, building new power through self-protective retreat.ÌÇÐÄ´«Ã½�

Raad earned both a masterÌÇÐÄ´«Ã½™s degree and a doctorate from the UniversityÌÇÐÄ´«Ã½™s