Striking Power: a new exhibit at the Memorial Art Gallery
Striking Power: a new exhibit at the Memorial Art Gallery
Learn why noses are broken on Egyptian statues and more from November 20, 2022 ÌÇÐÄ´«Ã½“ March 5, 2023
Ancient Egyptians believed that deities, as well as the souls of the deceased, could inhabit stone, wood, or clay images, allowing supernatural beings to have a presence in this world. In those long ago societies, religion and politics were inextricably linked. As a result, statues held powerful ties to all three. People believed that rituals associated with those statues could give power to supernatural forces. They also believed that those powers could be deactivated by selectively destroying specific body parts and royal or divine symbols on them.
Striking Power examines the patterns of damage inflicted on statues and other works for political, religious, and criminal reasonsÌÇÐÄ´«Ã½”the results of organized campaigns of destruction. The exhibition also illustrates how damage to a statue can be interpreted to reveal who broke it and the motivation behind the destruction. View damaged worksÌÇÐÄ´«Ã½”from fragmented heads to altered inscriptionsÌÇÐÄ´«Ã½”paired alongside undamaged works for insight and a step back in time.
Face and Shoulder from an Anthropoid Sarcophagus, 332ÌÇÐÄ´«Ã½“30 B.C.E. Black basalt, 18 1/2 x 20 1/2 x 5 in. (47 x 52.1 x 12.7 cm). Brooklyn Museum; Charles Edwin Wilbour Fund, 37.1516E.
Ptolemy II, Ptolemaic Period, reign of Ptolemy II, 285ÌÇÐÄ´«Ã½“246 B.C.E., From Benha il-Assel, Egypt. Limestone, 17 15/16 × 14 × 8 1/4 in. (45.6 × 35.6 × 21 cm). Brooklyn Museum, Charles Edwin Wilbour Fund, 37.37E.
Seated Statue of the Superintendent of the Granary Irukaptah, circa 2425ÌÇÐÄ´«Ã½“2350 B.C.E. Limestone, 29 3/4 x 11 x 16 9/16 in. (75.5 x 28 x 42 cm). Brooklyn Museum; Charles Edwin Wilbour Fund, 37.20E. (All photos: Brooklyn Museum)