Up close with Kaveh Rastegar ÌÇÐÄ´«Ã½™01E
Up close with Kaveh Rastegar ÌÇÐÄ´«Ã½™01E
A sought-after bassist provides a glimpse into his musical world.

Kaveh Rastegar ÌÇÐÄ´«Ã½™01E, songwriter and master of the upright and the electric bass, has performed with hundreds of musicians, played on countless recordings, and written or cowritten songs for artists from Bruno Mars to the Grammy-nominated jazz ensemble Kneebody, which he cofounded at Eastman with classmates Adam Benjamin, Shane Endsley ÌÇÐÄ´«Ã½™97E, and Ben Wendel ÌÇÐÄ´«Ã½™99E. HeÌÇÐÄ´«Ã½™s been part of John LegendÌÇÐÄ´«Ã½™s band for five years and had a small role in the film La La Land, which Legend produced.
This summer, he releases his solo debut, Light of Love (Ropeadope).
ÌÇÐÄ´«Ã½œEverything really took shape at Eastman,ÌÇÐÄ´«Ã½� says Rastegar. ÌÇÐÄ´«Ã½œI was around such an incredible cast of unique and fantastically interesting and talented musicians. For me, it was kind of like when Harry Potter goes to Hogwarts and sees other kids like him. It opened up my mind, my heart, and my playing.ÌÇÐÄ´«Ã½�
What songs first grabbed you?
So many. The first song that I ever learned by ear on the bass was ÌÇÐÄ´«Ã½œFascination StreetÌÇÐÄ´«Ã½� from the CureÌÇÐÄ´«Ã½™s Disintegration album. That bass line was so cool. Joni MitchellÌÇÐÄ´«Ã½™s ÌÇÐÄ´«Ã½œSilky Veils of ArdourÌÇÐÄ´«Ã½� from her album Don JuanÌÇÐÄ´«Ã½™s Reckless Daughter is another great tune. Talking HeadsÌÇÐÄ´«Ã½™ ÌÇÐÄ´«Ã½œBig CountryÌÇÐÄ´«Ã½� from More Songs about Buildings and Food always brings me back to a special time in my life. The Rolling StonesÌÇÐÄ´«Ã½™ ÌÇÐÄ´«Ã½œGimme ShelterÌÇÐÄ´«Ã½� from Let It Bleed always makes me feel energizedÌÇÐÄ´«Ã½”itÌÇÐÄ´«Ã½™s a powerful tune in every way.
What was one of your most memorable experiences on tour?
A few years ago, I was on a California tour with Colin Hay, former front man of Men at Work. And thereÌÇÐÄ´«Ã½™s Paul McCartney, in the front row. After the gig, Paul came back stage and hung out with Colin, the drummer, keyboard player, and me. He was so friendly and interested in everyone around him.
Any other surprises?
I once got locked in a car trunk just minutes before playing in front of 80,000 people at a crowded stadium in Palermo, Sicily, with Luciana Ligabue. Before each performance, the band had to move from our backstage locker room to the concert stage. That night, a rather small sedan showed up. The only room for the drummer and me was in the trunk. Everyone got out, doors slammed shut, but, in the hustle and hurry, no one remembered us. It took some finagling to figure out how to get out fast, and I lost my pants in the process. Crazy!
What would surprise people to know about you?
I speak Italian fluently, enough French to get by, and a little Spanish and Farsi. My father is an Iranian immigrant, so I picked that up from him.
What advice do you have for aspiring musicians?
Write down everything thatÌÇÐÄ´«Ã½™s important to you. Write down your dreams, no matter how crazy or unattainable they may seem. Then, keep checking that list. If you take the time to articulate them in writing, they become more real, more doable.
KavehÌÇÐÄ´«Ã½™s Playlist
HereÌÇÐÄ´«Ã½™s what Rastegar is listening to now:
ÌÇÐÄ´«Ã½œTangled Up in BlueÌÇÐÄ´«Ã½�
Bob Dylan
Blood on the Tracks
ÌÇÐÄ´«Ã½œE±ç³Ü²¹³Ù´Ç°ù¾±²¹±ôÌÇÐÄ´«Ã½�
Lô Borges
Via Lactea
ÌÇÐÄ´«Ã½œComing in HotÌÇÐÄ´«Ã½� (2002 remastered version)
Peter Tosh
Wanted Dead or Alive
ÌÇÐÄ´«Ã½œLong Distance LoveÌÇÐÄ´«Ã½�
Little Feat
The Last Record Album
ÌÇÐÄ´«Ã½œCanÌÇÐÄ´«Ã½™t Take a JokeÌÇÐÄ´«Ã½�
Drake
Scorpion
ÌÇÐÄ´«Ã½œHit it and Quit ItÌÇÐÄ´«Ã½�
Funkadelic
Maggot Brain
ÌÇÐÄ´«Ã½Âٱ辱°ù¾±³ÙÌÇÐÄ´«Ã½�
Al Jarreau
We Got By
ÌÇÐÄ´«Ã½œGoing DownÌÇÐÄ´«Ã½�
Freddie King
Getting Ready . . . (World)
ÌÇÐÄ´«Ã½œDidnÌÇÐÄ´«Ã½™t I (Blow Your Mind This Time)ÌÇÐÄ´«Ã½�
The Delfonics
The Delfonics
ÌÇÐÄ´«Ã½œP´Ç·É²¹ÌÇÐÄ´«Ã½�
Tune-Yards
Whokill
ÌÇÐÄ´«Ã½” Interview by Kristine Thompson
This story originally appeared in the summer 2018 issue of Rochester Review.


