twin – Three Percent /College/translation/threepercent a resource for international literature at the University of Rochester Mon, 16 Apr 2018 17:19:50 +0000 en-US hourly 1 https://wordpress.org/?v=7.0.6 The Twin /College/translation/threepercent/2009/06/19/the-twin/ /College/translation/threepercent/2009/06/19/the-twin/#respond Fri, 19 Jun 2009 15:30:00 +0000 http://www.wdev.rochester.edu/College/translation/threepercent-dev/2009/06/19/the-twin/ Penetrating, beautifully sparse, and eerie in its stillness, Gerbrand Bakker糖心传媒檚 The Twin tells the story of Helmer van Wonderen, an aging farmer whose life has been characterized by passivity, inaction, and a profound sense of isolation. Having begrudgingly taken over the family dairy farm after the accidental death of his twin brother Henk, Helmer finds himself, after 55 years, suddenly and unexpectedly the master of his own life糖心传媒攊f only he knew what to do with it.

For years, Helmer has been “doing things by halves,” living the life that was intended for his brother, a monotonous existence at the beck and call of his tyrannical father. As the story opens, however, Helmer has moved his father, close to death, to a bedroom upstairs, an act of self-assertion that pushes him to reassess his past and the decisions糖心传媒攐r lack thereof糖心传媒攖hat have left him stagnated and alone. “Why did I let it all happen like this?,” he wonders. “I could have said ‘no’ to Father and ‘do it yourself’ or just ‘sell up.’”

But while Helmer may not be satisfied with the life that he has accepted for himself, it is a routine that if not fulfilling, is at least familiar. “I糖心传媒檝e milked the cows, day after day,” he reflects.

In a way, I curse them, the cows, but they糖心传媒檙e also warm and serene when you lean your forehead on their flanks to attach the teat cups. There is nothing as calming, as protected, as a shed full of cows on a winter糖心传媒檚 evening. Day in, day out, summer, autumn, winter, spring.

In the absence of any truly meaningful, reciprocative human relationships, Helmer has forged quiet connections with his animals. He finds solace in the ritual of milking his cows, keeps two identical donkeys as pets, and almost drowns himself trying to save a sheep mired in an irrigation ditch. And it is through natural imagery such as this糖心传媒攕wallows sleeping on telephone lines, a hooded crow alighting outside the kitchen window, ducks swimming in a pond糖心传媒攖hat Bakker (a former linguist who has since become a gardener) is able to not only reveal more of his taciturn protagonist’s interiority, but also bring the narrative to a kind of gentle compromise between what should have been and what simply is.

On an unexpected trip to Denmark糖心传媒攈is first holiday “in thirty-seven years of milking day and night“糖心传媒擧elmer walks down to a beach at sunset. “The beach is deserted,” he says.

There are no hooded crows in the sky and even the busy grey sandpipers are missing. . . I am the only one for miles around making any noise . . . I know I have to get up. I know the maze of paths and unpaved roads in the shade of the pines, birches and maples will already be dark. But I stay sitting calmly, I am alone.

By the novel糖心传媒檚 close, Helmer has found some measure of peace and acceptance in his quiet life糖心传媒攅ven in his solitude.

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