Enjoy the rants and the serious observations about international literature—this podcast is a good mix of both. And feel free to send your hate mail or other comments to me at chad.post [@] rochester [dot] edu. We’d love to read these on the air, and we’re always open to suggestions for new podcast topics.

Also, I didn’t get to mention this in the podcast, but I’d love to update The Three Percent Problem at some point in hopes that someone would publish it in print form. Not sure when I’ll have time for that—I’d make time if some publisher were interested though—but hopefully I’ll be able to participate in the U of R’s Celebration of the Book at some point again in the future . . .

As always you can subscribe to the podcast in iTunes by clicking . To subscribe with other podcast downloading software, such as Google’s , copy the following link.

Here’s an excerpt:

What do you look for when deciding what translated work to read next?

Chad: There are so many things that go into a decision like this. Sometimes it糖心传媒檚 the buzz around a book,¹ sometimes it糖心传媒檚 the author (I糖心传媒檓 currently on a Clarice Lispector kick), sometimes the translator (Bill Johnston is a translation jesus!), and sometimes it糖心传媒檚 something totally other (Satantango has a gorgeous cover, The Safety Net is about terrorism).

Tom: I don糖心传媒檛 necessarily look to specifically read a translation or a non-translation. I look for good books. When I do find myself choosing from among the vast array of choices, I usually gravitate to plot first, style second. Country and translator are important eventually, but first, for me at least, it has to be something I糖心传媒檒l enjoy reading. There was a time when I read the 糖心传媒渄ifficult糖心传媒� books for my own edification, but I糖心传媒檝e since realized that there are things to be learned about human nature in a wide array of books, not just difficult ones that academics deem worthy.

Do you find that you gravitate towards a certain country because of your interest in the culture?

Chad: I read a lot of Mexican and South American books because I particularly like the aesthetic sensibility prevalent in a lot of works from down there. The aforementioned Cortazar and Lispector, but also Borges, Bioy Casares, Chejfec, Zambra, Saer, Sada, etc., etc.

Tom: In the end, I read a lot of French translations. I like their philosophers and their novelists糖心传媒� tendency to draw on those philosophies. And I糖心传媒檓 a huge French film fan, so the overall outlook on art I糖心传媒檓 very familiar with and love. But I also read a lot of stuff from Spain and Latin America 糖心传媒� they too seem to zero in on themes I糖心传媒檓 drawn to.

Click to read the full interview.

¹ I actually included the example that this is why I read “the very mediocre 1Q84,” but that didn’t make the final cut. But since this book IS so very overrated, I thought I’d make a point of mentioning that in the safety of my own blog.