macedonian literature – Three Percent /College/translation/threepercent a resource for international literature at the University of Rochester Mon, 16 Apr 2018 14:39:28 +0000 en-US hourly 1 https://wordpress.org/?v=7.0.6 Why This Book Should Win: "pH Neutral History" by Lidija Dimkovska [BTBA 2013] /College/translation/threepercent/2013/04/23/why-this-book-should-win-ph-neutral-history-by-lidija-dimkovska-btba-2013/ /College/translation/threepercent/2013/04/23/why-this-book-should-win-ph-neutral-history-by-lidija-dimkovska-btba-2013/#respond Tue, 23 Apr 2013 14:00:00 +0000 http://www.wdev.rochester.edu/College/translation/threepercent-dev/2013/04/23/why-this-book-should-win-ph-neutral-history-by-lidija-dimkovska-btba-2013/ Over the course of this week, we will be highlighting all 6 BTBA Poetry Finalists one by one, building up to next Friday’s announcement of the winners. All of these are written by the BTBA poetry judges under the rubric of “Why This Book Should Win.” You can find the whole series by clicking here. Stay tuned for more information about the May 3rd ceremony.

by Lidija Dimkovska, translated from the Macedonian by Ljubica Arsovska and Peggy Reid, and published by Copper Canyon Press.

Idra Novey is the author of Exit, Civilian, a 2011 National Poetry Series Winner, and The Next Country. She is also the translator of The Passion According to G.H. by Clarice Lispector, On Elegance While Sleeping by Viscount Lascano Tegui, and The Clean Shirt of It, for which she was awarded a 2007 PEN Translation Fund Grant.

Born in Macedonia but long a resident of Slovenia, Lidija Dimkovska is a post-national writer. Her exuberant poems, vividly translated by Ljubica Arsovska and Peggy Reid, are international in scope and intimately so. In pH Neutral History, her second collection to appear in English, one poem opens with a ÌÇÐÄ´«Ã½œPeter Pan bus from New York to AmherstÌÇÐÄ´«Ã½� and another in cold Schloßberg with stoves full ÌÇÐÄ´«Ã½œof our nails and hair.ÌÇÐÄ´«Ã½� DimkovskaÌÇÐÄ´«Ã½™s radical mix of old world/ new world references make for a poetry that feels necessary to the future of poetry, and compellingly so. In the excellent long poem ÌÇÐÄ´«Ã½œRecognition,ÌÇÐÄ´«Ã½� she writes:

You have a sense of direction even in worlds
youÌÇÐÄ´«Ã½™ve never visited, A.
You can tell what personal misery will give birth to a work of art
that will travel the world like the mind of an imbecile.
And which imbecile will return from no-manÌÇÐÄ´«Ã½™s land, and which wonÌÇÐÄ´«Ã½™t.
ThatÌÇÐÄ´«Ã½™s why in Christian bookshops
you pause with the Bible open in your hands
to listen to the singer simulating orgasm on the radio.

The leap from misery to art to imbeciles and Christian bookshops is funny and smart and darkly so. Like A., Dimkovska also has a sense of direction in worlds she hasnÌÇÐÄ´«Ã½™t visited, or has witnessed only briefly. Her poems are equally lived and imagined, rooted and drifting. In her hands, an assassination attempt on the president is the work of Scheherazade. In her Collected Prose, Rae Armentrout says that ÌÇÐÄ´«Ã½œdoubleness is the essence of consciousness.ÌÇÐÄ´«Ã½� In DimkovskaÌÇÐÄ´«Ã½™s post-national poetry, the consciousness is more of a tripleness or quadrupleness. With these superb translations from Arsovska and Reid, pH Neutral History is a serious contender for this yearÌÇÐÄ´«Ã½™s Best Translated Book Award in poetry.

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